Sunny Leone plays a double role, going by the name of Laila and Lily. One plays with her pusski, aka, cat. The other is a balls-cleaner, i.e, she cleans round, spherical objects with a cloth. The surname is, yes, Lele. (PHOTOS: Mastizaade movie review in pics: There are barely two-and-a-half laughs in this Sunny Leone film) This gives the script an all-clear pass to bung in rhyming jokes, and a name. Tusshar Kapoor is called Sunny Kele. This gives the scriptwriter a chance to brandish childish lines about bananas. ‘Coz a ‘kela’ is not a fruit. It is, yep, you got that. We get the humble ba-na-na featuring in many scenes– peeled, unpeeled, yellow, green: for variation, out pop water hoses, and other elongated things which resemble, yes, yes, we know you know.
Tuesday, 2 February 2016
MASTIZAADE REVIEW
Sunny Leone plays a double role, going by the name of Laila and Lily. One plays with her pusski, aka, cat. The other is a balls-cleaner, i.e, she cleans round, spherical objects with a cloth. The surname is, yes, Lele. (PHOTOS: Mastizaade movie review in pics: There are barely two-and-a-half laughs in this Sunny Leone film) This gives the script an all-clear pass to bung in rhyming jokes, and a name. Tusshar Kapoor is called Sunny Kele. This gives the scriptwriter a chance to brandish childish lines about bananas. ‘Coz a ‘kela’ is not a fruit. It is, yep, you got that. We get the humble ba-na-na featuring in many scenes– peeled, unpeeled, yellow, green: for variation, out pop water hoses, and other elongated things which resemble, yes, yes, we know you know.
AIRLIFT REVIEW
FILMS about genuinely unsung heroes are a fine thing, and Raja Krishna Menon's Airlift is a sincere effort to celebrate an insanely daunting task.
In 1990, during the first Gulf War, over 170,000 Indians were stranded in Kuwait when it was attacked by Iraq. A few local businessmen and Indian diplomats took on the valiant, significantly uphill task of bringing those people home.
The number itself is staggering -- necessitating nearly 500 aeroplanes full of people -- andAirlift, for the most part, delivers this action with efficiency and a relative lack of exaggerated drama.
The situation itself is patently absurd, with armoured tanks rolling onto city streets in Kuwait one loud night, and Menon does well to keep things reined in more than most Bollywood filmmakers would.
Akshay Kumar plays a profit-hungry businessman, a man who disapproves of Hindi film music and would rather listen to Arabic tunes, but the nightmare of living in a war-torn foreign city awakens his patriotic and humane side, which leads to what remains the largest civil evacuation of all-time.
The film is well shot, with cinematographer Priya Seth achieving the right mix of impressive aerial shots and cramped handheld bits, and reasonably well-textured with credible Middle Eastern detailing.
There are hiccups -- like Kumar singing a Hindi song moments after refusing to listen to Hindi songs -- and the songs do indeed get in the way every single time they come on, but things are smoothened over by the solid character artists populating this film, from the surprisingly effective Purab Kohli to the ever-excellent Kumud Mishra to the businessmen who play Kumar's buddies to the fascinatingly helpless Feryna Wazheir, who plays a Kuwaiti woman hoping to make her escape with the Indians.
It isn't all on the up and up, though: Prakash Belawadi, who seems to be in every film now post his star turn in Talvar, plays an infuriatingly pigheaded and badly written character.
Meanwhile Nimrat Kaur, who plays Kumar's wife, seems challenged by the brief of speaking softly with a strain of Punjabi, like a woman from a Pakistani play, while constantly wearing make-up regardless of how harrowed her character is, like a woman from an Indian television show.
Friday, 9 October 2015
the walk review
"Now I've seen everything," an anonymous New Yorker remarks, marveling at the spectacle unfolding more than 100 stories above street level. It's the morning of Aug. 7, 1974, and Philippe Petit is walking across a steel cable strung between the towers of the World Trade Center. Amid the gasps and murmurs, that line stands out, and invites a bit of pondering. It's an expression of wonder, for sure, but it also carries an implication of jadedness, especially for moviegoers. All the surround-sound bells and whistles and digitally enhanced fireworks in the world can't quite shake us out of the feeling that we've seen it all before.
But we haven't. There is always something new under the sun. To stop believing that - to mean it when we say we've seen everything - would be to give up on art and surrender to cynicism. The Walk, Robert Zemeckis' painstaking and dazzling cinematic re-creation of Petit's feat, stands in passionate opposition to that kind of thinking. There will always be fresh, hitherto unimagined wonders in store. And fresh horrors too, as the sight of the twin towers can't help but remind us.
Innocence has often been a theme of Zemeckis' films - not so much its loss or recovery as its stubborn persistence. Forrest Gump, Cast Away and the Back to the Future movies are stories of optimists battling the cruelty of history and the indifference of the universe. They are also, each one in its own way, testaments to the ingenuity of their maker. Though he may see himself as more of a tinkerer than a visionary, Zemeckis frequently uses the novelty of special effects in the service of an aesthetic idea that is also a moral ideal. Like Petit, Zemeckis is interested in tackling the impossible, which is to say, in discovering new possibilities for delight and awe and celebrating the transformative power of human creativity.
The impossible, as you may have read on a poster somewhere, can take a while. The Walk does not hit its stride right away. I might go a little further: The first half of the movie treads the boundary between mildly irritating and completely unbearable. Petit, an elfin Frenchman with a terrible haircut, is played by manic-pixie song-and-dance man Joseph Gordon-Levitt as an irrepressible imp, greeting the audience in accented English from a perch on the Statue of Liberty's torch. The Manhattan skyline - digitally rendered to include the towers and to omit more recent construction - stretches out in the background, and the lady in the harbor stoically tolerates the presence of her voluble compatriot.
You might have a harder time. Let me see if I can put the matter in scientific terms. Philippe, in addition to being an aspiring wire-walker, is a juggler, a mime and a unicyclist. He is, as I've mentioned, played by Joseph Gordon-Levitt. This makes him, objectively speaking, the most annoying person on earth. And "The Walk," before ascending into the New York sky, tries to seduce you with forced amazement and sleeve-tugging displays of whimsy. Instead of wowing you, the movie gets in your face and yells, "Wow!" It's not quite the same feeling.
But all of the bustling 3-D IMAX mugging and pratfalling is really just the warm-up act, as is the mildly diverting tale of the period in Philippe's life leading up to what he calls "the coup." Glimpsing a pretty busker on a Paris street (she's singing a Leonard Cohen song in French), he steals her audience and then, bien sur, her heart. Her name is Annie; she's played by Charlotte Le Bon, and she becomes the first of Philippe's accomplices. Joining them are a photographer named Jean-Louis (Cement Sibony) and a math whiz named Jean-Francois (Cesar Domboy) who is afraid of heights. Philippe's mentor is an irascible Czech funambulist played, as an irascible Czech funambulist in a movie of this kind must be played, by Ben Kingsley.
After some practice and planning, the coup plotters head to New York, where they acquire a few more accomplices (including James Badge Dale, Ben Schwartz and the scene-stealing Steve Valentine) and begin their infiltration of the as-yet-unfinished Trade Center. Almost magically, The Walk transforms itself into a beguiling caper movie, full of comic energy and nimble ingenuity. Whereas the earlier sections suffered from an absence of dramatic conflict - Philippe is immune to doubt, averse to introspection and impossible to argue with - the Manhattan chapters hum with practical, tactical excitement. There are so many problems to solve: security guards to evade; equipment to test; disguises to wear.
It's a lot of fun, with darker implications falling across the story like early morning shadows on a sunny day. There are tensions among Philippe and his comrades, including Annie. There is the danger of the coup, itself. And of course, for the audience, there is the inevitable premonition of grief. But Zemeckis, who wrote the script with Christopher Browne, spares us heavy-handed portents of destruction. Instead, he acknowledges the loss of the towers by lovingly and meticulously resurrecting them at the moment of their birth. The film becomes a poem of metal and concrete, a symphony composed in glass and rebar, light and air and brought alive by an antic, crazy inspiration.
It has often been said that Petit taught New Yorkers to love the twin monoliths that were initially viewed as bland, arrogant interlopers on a cherished skyline. His coup, recounted in his book "To Reach the Clouds" and in James Marsh's excellent documentary Man on Wire, is a cherished and bittersweet part of local history, and Zemeckis, astonishingly, brings it back into the present tense. Even though the outcome is never in doubt - this may be the most spoiler-proof movie ever made - you can't help but hold your breath and clutch the armrests when Philippe steps out into the sky. The reality of the moment is so vivid that you may reflexively recoil, as if you risked plunging onto the sidewalk below. And the moment lasts. I had forgotten just how long Petit stayed up there, stretching a daredevil act into an astonishing and durable work of art.
In paying tribute to that accomplishment, Zemeckis has also matched it. He has used all his brazenness and skill to make something that, once it leaves the ground, defies, not only gravity, but time, as well.
to see trailer click here
Bigg Boss 9 Contestants List
List of Bigg Boss 9 Contestants – As per sources Makers of Bigg Boss Show are busy in finalizing the Starting Date for new Season and Contestants List. Also they are approaching the contestants to participate in Bigg Boss Season 9, according to news previous winners of Bigg Boss Show from Season 1 to Season 8 may be participate in all new Bigg Boss Season 9. As every year many of news channels posted about Contestant List of Bigg Boss 9, all we can do is just prediction of Contestants. But this season may go dissimilar as always. If makers approached all the winners then it will be one of the most exciting and also most controversial, but still without Superstar Host Salman Khan the show is nothing. Most of the Salman Khan fans watch Bigg Boss just because he appears on the show in weekends. Well checkout following list of contestants.
1. Rohul Roy [Winner of Season 1] Ashutosh Kaushik [Winner of Season 2] Shweta Tiwari [Winner of Season 3] Juhi Parmar [Winner of Season 4] Urvarshi Dholakia [Winner of Season 5] Vindoo Dara Singh [Winner of Season 6] Gauhar Khan [Winner of Season 7] Gautam Gulati [Winner of Season 8] Sushant Singh Mohit Malhotra VJ Bani -
Captain America, Iron Man square off in Marvel's 'Civil War'
Beginning in 2006 and concluding the following year (before being revived in an alternate history "what-if" this year), Marvel's "Civil War" was a company-wide event that called on Marvel's stable of heroes to pick sides on the Superhero Registration Act, a bill passed in the wake of a school tragedy caused by renegade superheroes that required all heroes to unmask and receive government training. Captain America, the symbol for law and order, opposed the act on the ground of personal liberty and freedom. Iron Man, a cad and occasional lout, sided with the government. The two, supported by various factions of other superheroes, waged war against each other and nearly tore the country apart. The series will serve as the inspiration for "Captain America: Civil War," the next major Marvel film project which is coming out next year.
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